htg-public/lily/concerto_italien.ly

1051 lines
25 KiB
Plaintext

\version "2.18.2"
upper = \relative c'' {
\clef treble
\key f \major
\time 4/4
<<
\new Voice = "first"
{
\voiceOne
{
r8 f a, bes | c4 d
}
}
\new Voice = "second"
{
\voiceTwo
{
r4 f,8 g | a4 bes |
}
}
>>
<<
\new Voice = "first"
{
\voiceOne
{
c8 f4 ees16 d |
}
}
\new Voice = "second"
{
\voiceTwo
{
f,2 |
}
}
\new Voice = "trois"
{
\voiceThree
{
%\once \override Staff.Rest.transparent = ##t
\stemDown a4 \stemNeutral bes |
}
}
>>
<<
\new Voice = "first"
{
\voiceOne
{
<bes d>8 <a c>
}
}
\new Voice = "second"
{
\voiceTwo
{
f4
}
}
>>
r |
<<
\new Voice = "first"
{
\voiceOne
{
r8 c'' e,! f |
}
}
\new Voice = "second"
{
\voiceTwo
{
r4 c8 d |
}
}
>>
<e g>4 <f a> |
<<
\new Voice = "first"
{
\voiceOne
{
g8 c4 bes16 a |
}
}
\new Voice = "second"
{
\voiceTwo
{
c,2 |
}
}
\new Voice = "third"
{
\voiceThree
{
\stemDown e4 \stemNeutral f |
}
}
>>
<<
\new Voice = "first"
{
\voiceOne
{
<f a>8 <e g>
}
}
\new Voice = "second"
{
\voiceTwo
{
c4
}
}
>>
r16 c bes a | bes8 g'~ g16 bes, a g | a g f g a bes c d | ees8 c'~ c16 ees, d c |
d c bes c d e! f g | aes g32 f g8~ g16 f32 e f8~ | f16 e32 d e8~ e16 g e c | bes! g'( e c ) bes-. g'( e c ) |
bes-. g'( e c ) bes-. g'( e c ) | a-. a'( f des ) c-. a'( f des) | c-. a'(f des) c-. a'(f ees) | d!-. b'( aes f) d-. b'( aes f) |
d-. b'( a f) d-. b'(a f) | e c' g e c e d f | e g e c g bes a c | bes d bes g e g f a | g bes g e c bes' a g |
a f g a bes c d e | f e d c
<<
\new Voice = "first"
{
\voiceOne
{
c'8 f, | f4
}
}
\new Voice = "second"
{
\voiceTwo
{
r8 <a, c> | <a c>4
}
}
>>
<<
\new Voice = "first"
{
\voiceOne
{
e'4~ | e16 f8. r4 |
}
}
\new Voice = "second"
{
\voiceTwo
{
\once \override Tie.extra-offset = #'(0.25 . 0.1) c4~ | c8[ b~ ] b16 d c bes |
}
}
\new Voice = "third"
{
\voiceFour
{
\once \override NoteColumn.force-hshift = 0 \once \override Stem.transparent = ##t g4 | \once \override NoteColumn.force-hshift = 0 f
}
}
>>
<<
\new Voice = "first"
{
\voiceOne
{
r16 c' f8~ f <bes, c e> |
}
}
\new Voice = "second"
{
\voiceTwo
{
a8. a16 g4 |
}
}
>>
<f a c f>4 r8^\markup{\italic {(mezzo) forte " "} } c'-3 | d16 c d8~ d16 f ees d | c e! f8~ f16 e d c | bes a bes d g8 bes, |
bes\prall a r a | g16( bes ) bes( a ) a( f' ) f( e ) | e( d ) d( c ) c( bes ) bes( a ) | g( bes ) c32( bes a16 ) a( f' ) g32( f e16 ) |
f32( e d16 ) e32( d c16 ) d32( c bes16 ) c32( bes a16 ) | bes32( a g16 ) a8~ a16 c bes a | g b c8~ c16 b a g f e f a d8 f, |
f\prall e r16 c' d e | a, e f a d d e f | b, fis g b e e f g | c gis, a c fis fis g! a |
g\prall fis g8~ g16 g, b d | f\prall e f8~ f16 g, b d | e\prall d e8~ e16 g, c d | ees c b c fis c a' c, |
b f! e f b f d' f, | e g c g' f e d c c4 r | r8 c[ <c, e> <d f> ]
<e g>4 <f a> |
<<
\new Voice
{
\voiceOne
{
g16 a bes4 a16 g | a4 b4\rest
}
}
\new Voice
{
\voiceTwo
{
e,2 | r16 f e d c
}
}
>>
r8 \stemUp f'[ <f, a> <g bes> ] \stemNeutral | <a c>4 <bes d> |
<<
\new Voice
{
\voiceOne
{
c16 d ees4 d16 c | d4 e4\rest
}
}
\new Voice
{
\voiceTwo
{
a,2 | r16 bes a g f
}
}
>>
r16 d' cis d bes'8 d,~ | d16 cis b cis a'8 c,~ | c16 b( a b ) g'8 bes, |
bes\prall a r4 | r16 d bes g a d g, e f d' g, e f d' e, cis | d d' bes32 a g16 a d g,32 f e16 f d' g,32 f e16 f d' e,32 d cis16 |
d8 <f' a>[ <g bes> <f a>] | e,[ <e' g> <f a> <e g>] | f,[ <d' f> <e g > <d f> ] | g,[ <d' f> <e g > <d f>~ ] |
f16 e32 d e8~ e16 d32 cis d8~ | d16 cis32 b cis8~ cis16 e cis a | g-. e'( cis a) g-. e'( cis a) | g-. e'( cis a) g-. e'( cis a) |
f-. f'( d bes) a-. f'( d bes) a-. f'( d bes) a-. f'( d c!) | b-. gis'( f d) b-. gis'( f d) b-. gis'( f d) b-. gis'( f d) |
cis-. a' e cis a cis b d | cis e cis a e g f a | g bes! g e cis e d f | e g e cis a g' f e |
f d e f g a b cis | d cis b a a'8 <d, a> | <a d f>4
<<
\new Voice
{
\voiceOne
{
e'4~ | e16 \once \override NoteColumn.force-hshift = 0 d8. r4 |
}
}
\new Voice
{
\voiceTwo
{
\tieUp \once \override Tie.extra-offset = #'(0 . -0.9) cis4~ | cis16 \tieNeutral \once \override NoteColumn.force-hshift = 0 {d} gis,8~ gis16 bes a g |
}
}
\new Voice
{
\voiceFour
{
\once \override NoteColumn.force-hshift = 0 g4 | \once \override NoteColumn.force-hshift = 0 f
}
}
>>
<<
\new Voice
{
\voiceOne
{
r16 a d8~ d <g, a cis> |
}
}
\new Voice
{
\voiceTwo
{
f8. f16 e4 |
}
}
>>
<d f a d>4 r8^\markup{\italic{(mezzo) forte}} a'-1 | a16\prall gis a8 a16\prall gis a8~ | a16 b cis d e8 a, |
a16\prall gis a8 a16\prall gis a8~ | a16 cis d e f8 a, | a16\prall gis a8 a16\prall gis a8~ | a16 cis e f g!8 a,~ \break |
a16 g' f e32 d bes'!8 g,~ | g16 f' e d32 c a'8 f,~ | f16 ees' d c32 bes g'16 d c bes32 a f'16 c bes a32 g ees'16 bes a g32 f \break |
d'16 a bes d ees, d' c bes | a g a c f, ees' d c | d8 bes' <bes, d> <c ees > | <d f>4 <ees g> |
<<
\new Voice
{
\voiceOne
{
f8 bes4 aes16 g |
}
}
\new Voice
{
\voiceThree
{
d4 ees | <ees g>8 <d f>
}
}
\new Voice
{
\voiceFour
{
bes2~ \break | bes4
}
}
>>
<<
\new Voice
{
\voiceOne
{
r8 <d f> | <d f> <c ees> r <c ees> | <c ees> <bes d> r <bes d> | <bes d> <a c> r <a c> |
<a c> <g bes> bes'4~ | bes8 a16 g
}
}
\new Voice
{
\voiceTwo
{
g,4~ | g4 f~ | f ees~ | ees d~ \break | d r16 d' g f | ees4
}
}
>>
a16 fis g a | \slashedGrace{cis,8} \once \override Tie.extra-offset = #'(0 . 0.3) \pitchedTrill d2~\startTrillSpan ees | d2~ \break |
d2~ | d8\stopTrillSpan g, bes d | \slashedGrace{b}c2~\startTrillSpan | c~ \break |
c~ | c8\stopTrillSpan f, a c | f f,
<<
\new Voice
{
\voiceOne
{
bes4~ | bes a~ \break |
a~ a16 a g f | e g e d c4
}
}
\new Voice
{
\voiceTwo
{
r8 d | e!16 g e c r8 c |
d16 f d c bes4~ | bes4~ bes16 bes a g |
}
}
>>
a16 c f e d c bes a | bes e g f e d c bes \break |
c f a g f e d c | d f bes a g f e d | e c e g bes c e g | a8^\markup{\italic{piano}} d, e16 d cis d~ | d g d b c! b c e \break |
f8 bes,! c16 bes a bes~ | bes ees bes g a g a c | d8 g, a16 g fis g~ | g c g e f! e f a \break |
\slashedGrace{c8}bes2~\startTrillSpan | bes16\stopTrillSpan g' e c bes g' e c | bes2~\startTrillSpan | bes16\stopTrillSpan g' e c bes g' e c \break |
a8 f' <f, a> <g bes> | <a c>4
<<
\new Voice
{
\voiceOne
{
d4~ | d8 c16 d ees8 d16 c | d4
}
}
\new Voice
{
\voiceTwo
{
bes4~ | bes8 a4. | bes4
}
}
>>
r4 \break |
r8 g' <g, b> <a c> | <b d>4
<<
\new Voice
{
\voiceOne
{
e4~ | e8 d16 e f8 e16 d |
}
}
\new Voice
{
\voiceTwo
{
c4~ | c8 b4. |
}
}
>>
<c e>4 r8 c-1^\markup{\italic{(mezzo) forte}} \break |
c16\prall b c8 c16\prall b c8~ | c16 d e f g8 c, | c16\prall b c8 c16\prall b c8~ | c16 e f g a8 c, \break |
c16\prall b c8 c16\prall b c8~ | c16 e g a bes!8 c,~ | c16 bes' a g32 f c'8 ees,~ | ees16 d32 c d16 c32 bes g'8 bes,~ \break |
bes16 a32 g a16 g32 f d'8 f, | f\prall e r bes''! | a16 bes c f, a g f e f c d f bes, a bes d \break |
f bes, c f a, g a c f a, b f' g, f g f' | e f g f e d c bes! | a bes c f, a g f e \break |
f8[ f' <f, a> <g bes> ] | <a c>4 <bes d> |
<<
\new Voice
{
\voiceOne
{
c8 f4 ees16 d
}
}
\new Voice
{
\voiceTwo
{
a4 bes |
}
}
\new Voice
{
\voiceFour
{
\once \override NoteColumn.force-hshift = 0 f2 |
}
}
>>
<<
\new Voice
{
\voiceOne
{
<bes d>8 <a c>
}
}
\new Voice
{
\voiceTwo
{
f4
}
}
>>
r4 |
r8 c''[ <c, e!> < d f> ] \break |
<e g>4 <f a> |
<<
\new Voice
{
\voiceOne
{
g8 c4 bes16 a
}
}
\new Voice
{
\voiceTwo
{
e4 f
}
}
\new Voice
{
\voiceFour
{
\once \override NoteColumn.force-hshift = 0 c2
}
}
>>
<<
\new Voice
{
\voiceOne
{
<f a>8 <e g>
}
}
\new Voice
{
\voiceTwo
{
c4
}
}
>>
r16 c bes a | bes8 g'~ g16 bes, a g \break |
a g f g a bes c d | ees8 c'~ c16 ees, d c | d c bes c d e! f g | aes g32 f g8~ g16 f32 e f8~ \break |
f16 e32 d e8~ e16 g e c | bes! g' e c bes g' e c bes g' e c bes g' e c a a' f des c a' f des \break |
c a' f des c a' f ees | d! b' aes f d b' aes f d b' aes f d b' aes f | e c' g e c e d f \break |
e g e c g bes a c | bes d bes g e g f a | g bes g e c bes' a g | a f g a bes c d e \break |
f e d c c'8 <a, c f> | <a c f>4
<<
\new Voice
{
\voiceOne
{
e'4~ | e16 f8. r4
}
}
\new Voice
{
\voiceTwo
{
\tieUp \once \override Tie.extra-offset = #'(0 . -0.9) c4~ | c8 \tieNeutral b~ b16 d c bes |
}
}
\new Voice
{
\voiceFour
{
\once \override NoteColumn.force-hshift = 0 g4 | \once \override NoteColumn.force-hshift = 0 f
}
}
>>
<<
\new Voice
{
\voiceOne
{
r16 c' f8~ f <bes, c e> |
}
}
\new Voice
{
\voiceTwo
{
a8. a16 g4 |
}
}
>>
\once \override Script.padding = #0.5 <f a c f> 2\fermata \bar "|."
}
%
%
lower = \relative c {
\clef bass
\key f \major
\time 2/4
<f, a c f>4 r | r8 f''[ d bes] | r f[ d bes] |
<<
\new Voice = "third"
{
\voiceThree
{
f'4
}
}
\new Voice = "fourth"
{
\voiceFour
{
f8 f,8
}
}
>>
r4 | <c' e! g c> r \clef treble | r8 c''[ a f] \clef bass \break |
r8 c[ a f] |
<<
\new Voice = "third"
{
\voiceThree
{
c'4
}
}
\new Voice = "fourth"
{
\voiceFour
{
c8 c,
}
}
>>
r4 <e g c>
% | <f c'>)
<<
\new Voice = "three"
{
\voiceThree
{
\arpeggioArrowUp
<c e g c>\arpeggio( c'8[ ) a c f] \arpeggioNormal |
}
}
\new Voice = "fourth"
{
\voiceFour
{
\once \override Staff.Rest.transparent = ##t r4 f,4 c4\rest \clef treble |
}
}
>>
<a' c f>
<<
\new Voice = "third"
{
\voiceThree
{
<f a c f>\arpeggio( | \break f'8[ ) d f bes] |
}
}
\new Voice = "fourth"
{
\voiceFour
{
\once \override Staff.Rest.transparent = ##t r4 bes, r4 |
}
}
>>
<d f b> <b d g> \clef bass | <g b d> <c, g' c> \clef treble | r8 c'16[ d] e8 g \break |
e c \clef bass \stemDown \small{\slashedGrace{\once \override Stem.color = #(rgb-color 0.6 0.7 0.7) \tweak #'color #(rgb-color 0.6 0.7 0.7) c,,-\tweak color #(rgb-color 0.6 0.7 0.7) (}} \stemNeutral c'4 ) \clef treble |
r16 c'[ d e ] f8 a |
f c \clef bass \stemDown \small{\slashedGrace{\once \override Stem.color = #(rgb-color 0.6 0.7 0.7) \tweak #'color #(rgb-color 0.6 0.7 0.7) c,,-\tweak color #(rgb-color 0.6 0.7 0.7) (}} \stemNeutral c'4 ) |
r8 d'16[e] f8[ d16e] \break |
f8 d g, b | c[ c,16 d ] e8 g | c[ c,16 d ] e8 f | g[ c,16 e ] g8 a | bes[ c,16 d ] e8 c \break |
f16a g f e d c bes | a c d e f g a bes | c4 c, | d r8 e | f a, bes c \break |
<<
\new Voice = "three"
{
\voiceThree
{
f,_\markup{\italic{piano}}
}
}
\new Voice = "fourth"
{
\voiceFour
{
a'8\rest \clef treble
}
}
>>
<f' a>[ <f a> <f a> ] | <f bes>[ <f bes> <f bes> <f bes> ] | <f bes>[ <f bes> <f a> <f a> ] | <f g > <f g> <e g> <e g> \break |
<<
\new Voice = "three"
{
\voiceThree
{
g f d'8\rest f, |
}
}
\new Voice = "fourth"
{
\voiceFour
{
f[ f,16 g ] a8 f |
}
}
>>
<c' f>[ <c e> <c f> <c a> ] | <c g'> <c f> <c e> <c f> | <c f> <c e> <c f> <c a'> \break |
<c g> <c f> <c e> <c g> | <c f> <c f> <c f> <c f> | <c f> <c f> <c e> <c e> | <c d> <c d> <b d> <b d> \clef bass \break |
<<
\new Voice = "third"
{
\voiceThree
{
d c r4 | r16 g a d f8 r | r16 a, b d g8 r | r16 b, c e a8 c, \break |
}
}
\new Voice = "fourth"
{
\voiceFour
{
c8 c,16[ d] e8 c | f4 r8 d | g4 b,8\rest e | a4 d,8\rest a' |
}
}
>>
<b d>[ <g b> <b d> <d f!> ] | <b d>[ <g d> <b d> <d f> ] |
<<
\new Voice = "third"
{
\voiceThree
{
g16 f e d c b a g |
}
}
\new Voice = "fourth"
{
\voiceFour
{
c4( c8 ) r |
}
}
>>
fis,16 ees d c b a g fis \break |
<<
\new Voice = "third"
{
\voiceThree
{
r8 d' g4~ | g8 c,4 b8 | c16
}
}
\new Voice = "fourth"
{
\voiceFour
{
g4 r8 b | c[ e, f g] | c16
}
}
>>
c'16^\markup{\italic forte} b a g f e d | c c b a g f e d \break |
c8 c''[ a f ] |
<<
\new Voice = "third"
{
\voiceThree
{
c2( | c8 ) r r16 bes' a g |
}
}
\new Voice = "fourth"
{
\voiceFour
{
r8 g e c | f,
}
}
>>
\stemUp f'16 \stemNeutral f[ e d ] c bes a g | f8 f''[ d bes ] \break |
<<
\new Voice = "three"
{
\voiceThree
{
f2~ \stemDown | <bes, f'>8 \stemNeutral r8 r16
}
}
\new Voice = "fourth"
{
\voiceFour
{
r8 c[ a f ] |
}
}
>>
ees''16 d c | bes8 g'~ g16[ bes, a g ] | a8 f'~ f16[ a, g f ] | g8 e'~ e16 [ d cis d ] \break |
g, d'( cis e) a, g f e | f8[ g f e ] | d[ bes' a g ] | f[ g e e ] | d[ bes' a g ] \break |
f16 cis'_\markup{\italic{forte}}([ d e ] d cis d ) f,-. | g-. cis( d e d cis d) g,-. | a-. cis( d e d cis d) a-. \clef treble | bes!-. cis( d e d c d) f-. \break |
<b, d gis>4 <gis b e> \clef bass | <e gis b> <a, e' a> | r8 a'16[ b ] cis8 e | cis a a,4 |
r16 a'16[ b cis ] d8 f | d a a,4 | r8 b'16 cis d8 b16 cis d8 b e, gis \break |
a a,16 b cis8 e | a a,16 b cis8 d | e a,16 cis e8 f | g a,16 b cis8 a \break |
d16 f e d cis b a g | f a b cis d e f g | a4 a, | bes! r8 cis8 \break |
d f, g a | d, d'16-5_\markup{\italic{piano}}[ e ] f g a b \clef treble | \stemDown <cis e>8[ a <d f> a ] | <cis e> a16 b \stemNeutral c d e c \break |
<d f>8[ a <cis e> a ] |
<<
\new Voice
{
\voiceThree
{
f'16 g! f e d e f d |
}
}
\new Voice
{
\voiceFour
{
d8 r
}
}
>>
<e g>8[ a, <d f> a ] \clef bass |
<<
\new Voice
{
\voiceThree
{
e'16 d cis b a8 r
}
}
\new Voice
{
\voiceFour
{
cis8 r r16 g f e
}
}
>>
d16 d' e f g, f' e d | c, c' d e f, ees' d c | bes, bes' c d ees,8 a | d, g, c f, |
bes d g ees | f c a f | bes bes, r4 \clef treble | r8 bes'''[ g ees ] \clef bass | r bes[ g ees ] |
bes'16 c d c bes a! bes g | c, g' c bes a g a f | bes, f' bes a g f g ees | a, c a' g fis e! fis d |
g, d' g a g f! ees e | c g' c d c bes a g | fis d' cis d d, fis e! %{ TODO %} g | fis a d, fis g bes d, g |
a c a fis d c' bes a | bes d bes g d f! e d | e c' b c c, e d f | e g c, e f a c, f |
g bes g e c bes' a g | a c a f d ees d c | d f d bes g bes a g | c e! c a f a g f |
bes8 c d bes | c d e d | c, a' bes d | c, bes' c e |
c, c' d f | c, d' e g | c,,4 r \clef treble | r8 <f''a>[ <f a> <f a> ] | <e g>[ <e g> <e g> <e g> ] |
r8 <d f>[ <d f> <d f> ] | <c ees>[ <c ees> <c ees> <c ees> ] | \clef bass | r8 <bes d>[ <bes d> <bes d> ] | <a c>[ <a c> <a c> <a c> ] |
r16 d e f g, e' f, d' | e, g c8 r4 | r16 g f e c' e, d' d, | e'8 c, r4 |
r16 f' e d c bes a g | f f ees d c bes a g | f f' c a f f' ees f | bes, d f a \clef treble bes d f a |
g g f e! \clef bass d c s a | g g f e d c b a | g g' d s g, g' f g | c, g' a b c g c d \clef treble |
<e g>8[ c <f a> c ] | <e g> c16 d e f g e | <f a>8[ c <e g> c ] |
<<
\new Voice
{
\voiceThree
{
a'16 bes! a g f g a f |
}
}
\new Voice
{
\voiceFour
{
f8 r
}
}
>>
<g bes>8[ c, <f a> c] |
<<
\new Voice
{
\voiceThree
{
g'16 f e d c8
}
}
\new Voice
{
\voiceFour
{
e8 r \clef bass r16 bes a g |
}
}
>>
f g f ees d c bes a | bes f' bes8~ bes16 g f e! |
f a c8~ c16 b a b | c g c d e d d e | f8 a, bes c | d bes f d' |
c a f d' | b d b g | c c, d e | f a, bes c |
<f, a c f>4 r | r8 f'' d bes | r f d bes | f' f, r4 | <c' e! g c> r \clef treble |
r8 c'' a f \clef bass | r c a f | c' c, r4 | <e g c>
<<
\new Voice
{
\voiceTwo
{
c'4 ~ | \stemUp c8[ a c f ] \clef treble | \stemNeutral
}
}
\new Voice
{
\voiceFour
{
\once \override NoteColumn.force-hshift = 0 <c, e g>4 | \once \override NoteColumn.force-hshift = 0 f4
}
}
>>
<a c f>
<<
\new Voice
{
\voiceTwo
{
f'4 ~ | \stemUp f8[ d f bes ] \clef treble | \stemNeutral
}
}
\new Voice
{
\voiceFour
{
\once \override NoteColumn.force-hshift = 0 <f, a c>4 | \once \override NoteColumn.force-hshift = 0 bes4
}
}
>>
<d f b>4 <b d g> \clef bass |
<g b d> <c, g' c> \clef treble | r8 c'16 d e8 g | e c \clef bass c,4 \clef treble | r16 c' d e f8 a |
f c \clef bass c,4 | r8 d'16 e! f8 d16 e | f8 d g, b | c c,16 d e8 g |
c c,16 d e8 f | g c,16 e g8 a | bes c,16 d e8 c | f16 a g f e d c bes |
a c d e f g a bes | c4 c, | d r8 e | f a, bes c |
f,2\fermata
}
%%%%%%%%%% Deuxième mouvement
%\prall
upperr = \relative c'
{
\clef treble
\key d \minor
\time 3/4
r2. | \noBreak r | \noBreak r | \noBreak a''4\mordent^\markup{\italic{"mezzo forte"}}( a16 ) g( f e d cis e ) f( \break |
f32 ) e d16 e8( e16 ) g a b( b ) cis,( d e ) | \noBreak a,32 g f16 g8~ g16 a bes cis~ cis d8 e16~ | \noBreak e16 g, f\prall e f bes a\prall g a b32 cis d e f g | \break
f e d e f16 d \appoggiatura{c!8} bes!2~ | \noBreak bes16 a32 g f g e16 \appoggiatura{e8} a2~ | \noBreak a16 b32 cis d cis b a d16 bes a\prall g~ g32 a g fis g16. g32 |
}
%% main gauche deuxième mouvement
lowerr = \relative c'
{
\clef bass
\key d \minor
\time 3/4
<<
\new Voice = "first"
{
\voiceOne
{
f8 r r \clef treble f g a | bes \clef bass r r \clef treble a g f | e \clef bass r r \clef treble g f e | f \clef bass r r \clef treble f g a |
}
}
\new Voice = "second"
{
\voiceTwo
{
d,_\markup{\italic{piano}} d, d d' e f | g d, d f' e d | cis d, d e' d cis | d d, d d' e f |
}
}
>>
}
%%%%%%% Troisième mouvement
upperrr = \relative c'
{
\clef treble
\key f \major
\time 2/2
f'4_\markup{\italic{forte " "}} f,2 g8 a | bes c d e f g a bes | c4 <f, a c> <e g c> <c g' bes> | < c f a>2 <c e g>
}
% Main gauche du traoisième mouvement
lowerrr = \relative c'
{
\clef bass
\key f \major
\time 2/2
<f, a>2 <e c'> |
<<
\new Voice = "third"
{
\voiceThree
{
f4 bes a g | f8
}
}
\new Voice = "fourth"
{
\voiceFour
{
d2 c4 bes | a8
}
}
>>
f8 g a bes c d e | f g a bes c d e c \break |
f4 f, e a | d d, c f | bes bes, a d | g, g'8 a g4 f \break |
e g f a | g c, f a, | bes d g bes, | c8 d e f g a bes g \break |
<f a>2 <e c'>
<<
\new Voice = "third"
{
\voiceThree
{
f4 bes a g f8
}
}
\new Voice = "fourth"
{
\voiceFour
{
d2 c4 bes | a8
}
}
>>
f g a bes c d e f g a bes c d e c \break |
d4 d, d' c | bes bes, bes' c | d d, d' c | bes bes, bes' c \break |
d c bes g | e c f c | a8 g a bes c4 c, | f g8 a bes c d e \break |
f4_\markup{\italic{forte}} a c a | f bes8 c d4 f, | g bes e c | f c a c \break |
f,8 a_\markup{\italic{piano}}[ bes c] bes a g f |
}
\book {
\header {
%title = \markup {
% "Sonate en si" \flat " majeur pour deux hautbois"
%}
title = "Concerto italien"
subtitle = \markup{\italic {Concerto nach Italienischem Gusto}}
subsubtitle = "BWV 971"
composer = "Jean-Sébastien Bach"
meter = \markup{\bold Allegro}
instrument = "Piano"
arranger = \markup{\teeny{\italic{ Unknown}}}
copyright = " GPLv3 "
}
\score
{
%\header { piece = "Adagio" }
\new GrandStaff \with {instrumentName = "Piano" }
{
<<
\new Staff = "upper"
{
\upper
}
\new Staff = "lower"
{
\lower
}
>>
}
\layout { }
\midi { }
}
\pageBreak
\score
{
\header
{
piece = \markup{\bold Andante}
}
\new GrandStaff \with { instrumentName = "Piano" }
{
<<
\new Staff = "upper2"
{
\upperr
}
\new Staff = "lower2"
{
\lowerr
}
>>
}
\layout { }
\midi { }
}
\pageBreak
\score
{
\header
{
piece = \markup {\bold {Allegro Vivace} (Presto)}
}
\new GrandStaff \with { instrumentName = "Piano" }
{
<<
\new Staff = "upper3"
{
\upperrr
}
\new Staff = "lower3"
{
\lowerrr
}
>>
}
\layout { }
\midi { }
}
}